That will fit nicely in my 32gb micro sdxc the size of a fingernail.
600 lbs ~ 272 kg
Some things to keep in mind about the theater experience.
- Only a handful of theaters do film IMAX anymore. A lot of IMAX locations are just 4k DCP (Digital Cinema Package)
- Most theaters in the world are digital projectors with a max resolution of 1998x1080 or 2048x858
Part of the reason these factors still exist is cost. A poorly maintained film projector with a lousy film print can ruin a movie going experience. Hollywood would sometimes release so very shitty prints. The digital projectors are much easier to maintain so the experience is often more ideal for the average movie goer.
Having said that, if a theater takes good care of their film projectors and they have a well made and well kept print, the experience can be amazing.
If I pay to see a movie in an IMAX theater, this is the film being loaded? Is this normal for IMAX?
I’m sure I’m wrong, but it’s hard to imagine this being better quality than what we can do digitally these days.
You are in fact wrong lol. Actual film has a resolution equivalent of something like 18K.
Wasn’t normal 35mm film about the equivalent of somewhere between 4k and 8k depending on the film stock?
Plus, the projector optics will always limit the sharpness of the picture. No lense is ideal, and even ideal lenses would have fundamental limitations due to diffraction.
Something like that.
As far as lens optics, we’re really splitting hairs here. 70mm through a quality lens in an imax theater is going to look absolutely fantastic and stunning. Digital is just more convenient and at some point it will catch up and surpass film.
My point was more like that even IMAX film doesn’t quite get to 18k equivalent, more like 12 to 16k. Honestly, anything above 4k (for normal widescreen content) even on big screens is barely noticeable if noticeable at all. THX recommends that the screen should cover 40° of your FOV; IMAX is what, 70°, so 8k for it is already good enough. Extra resolution is not useful if human eye can’t tell the difference; it just gets to the meaningless bragging rights territory like 192 kHz audio and DAC-s with 140 dB+ S/N ratio. Contrast, black levels, shadow details, color accuracy are IMO more important than raw resolution at which modern 8k cameras are good enough and 16k digital cameras will be more than plenty.
This obsession with the length and weight of the film is such a bizarre marketing strategy.
Yeah, we all know girth is what matters.
