here is the full subject for context: https://imgur.com/a/HmNaMIu
You have to choose one of 2 exam papers. Would you choose the second subject ? the one revolving around piracy denial that is.

  • enkers@sh.itjust.works
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    16 days ago

    Here’s my mildly diplomatic answer that’d probably get tossed:

    Piracy has become a plague on our society, but there’s a more sinister cause to it. The average labourer can hardly afford to pay the same fee to access culture that the wealthy person can, and this has caused a significant and justified uptick in piracy.

    This situation can be averted by increasing minimum wages and supporting universal basic income. If everyone knew they could at least make ends meet, they’d have some left over to pay for the culture that mattered to them.

    • Maeve@kbin.earth
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      16 days ago

      It would be easier to pass by 'what had been argued as" qualifier in front of “justified.” I’d also add something about people who discriminate against different socioeconomic groups as being uncultured, while gatekeeping culture.

  • The Octonaut@mander.xyz
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    16 days ago

    You are being tested on your comprehension of the text given, not asked for your opinion on piracy and copyright.

  • No1@aussie.zone
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    16 days ago

    Artificial satellites? Just for fun, I’m interpreting that as fake communication satellites, so:

    'Unlike traditional communication satellites, artificial communication satellites are not launched into space via costly rockets using environmentally unfriendly propellents.

    Instead, Artificial Satellite Systems (or ASS) make use of artificial intelligence to communicate via Frequency Adjusted Radio Tower Systems (known as FARTS).

    FARTS allow for rapid, ASS to ASS communication. Additionally, Multiplexed Over/Under The Horizon’ allows for increased speeds if ASS to MOUTH is enabled.’

      • No1@aussie.zone
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        15 days ago

        Yeah, I realised that, but couldn’t resist it for the lols.

        I think it could score a perfect zero by both not correctly comprehending and being offensive to whoever had the misfortune of marking it.

  • eskimofry@lemm.ee
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    16 days ago

    So it’s morally fine for assholes to pay money and buy up rights to creative works and deprive people of enjoyment just because their imaginary concept of ownership trumps ours?

  • rufus@discuss.tchncs.de
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    16 days ago

    But reading that text like they tell you to do, is kind of an exercise in futility if you choose topic two. (the benefits of artificial satellites in telecommunications) I’d be angry at that point.

  • Stretch@lemmy.dbzer0.com
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    9 days ago

    My submission:

    The hysteria surrounding piracy is a smokescreen for the real issue: the outdated and oppressive copyright regime. The software industry’s revenue losses are a myth, and the notion that piracy kills creativity is a tired cliché. Piracy has always existed, and artists have always found ways to thrive. The software industry’s failure to adapt to changing consumer habits and technological advancements is the real reason for their declining revenues. Meanwhile, copyright laws often benefit exploitative corporations, rather than creatives. By enforcing draconian anti-piracy laws, we’re allowing copyright to become a tool of censorship. Instead, we should promote a more permissive approach to copyright, recognizing that sharing and collaboration are essential to a thriving cultural landscape.

    • zaknenou@lemmy.dbzer0.comOP
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      8 days ago

      nice essay. I’m curious for your input on this: you’re a software creator and you want to monetize your software, how is this achievable under piracy ?

      • Stretch@lemmy.dbzer0.com
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        11 hours ago

        To borrow heavily from the ideas of Glyn Moody (grab a free copy of one of his books here), I would first address what I believe to be a false premise.

        The question assumes that piracy is a fixed reality, and that the goal is to find ways to monetize software despite its existence. But what if we flip that assumption on its head? What if, instead of trying to fight piracy, we design business models that make piracy irrelevant?

        The software industry’s failure to adapt to the realities of the digital age is a stark reminder of its own inertia. For too long, it has relied on a broken business model that treats customers as mere consumers, rather than as active participants in the creation and dissemination of value.

        Instead of trying to prop up the concept of artificial scarcity, the industry should be embracing the abundance of the digital realm. This means recognizing that software is not a physical product, but a flow of information that can be easily copied and shared.

        One approach is to focus on providing services and support around the software, rather than just the software itself. This could include offering subscription-based models, where users pay for access to regular updates, security patches, and expert advice. It could also involve creating communities and ecosystems around the software, where users can collaborate, share knowledge, and contribute to the development process.

        Another approach is to adopt open-source principles, where the software is freely available, and revenue is generated through customization, integration, and consulting services. This not only reduces the incentive for piracy but also creates a more collaborative and transparent development process.

        Ultimately, the software industry needs to stop fighting the tide of technological progress and start embracing the opportunities it presents. By doing so, it can create new business models that are more resilient, more equitable, and more aligned with the values of the digital age.

  • Eryck Gutteral@lemmy.studio
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    14 days ago

    I’d probably straight up fail because I’d write something about how I, myself, am a recording and gigging musician; have multiple albums out, releaased under a CC BY-NC-SA license, we have given copies out gratís and told people to just make copies for others; and how we are all pro piracy.

    The funny thing is that there is no money in the music industry for most bands. Especially underground stuff like NYHC.

    The reality is that the only ones that potentially don’t make as much money are the upper echelon who are already making millions. Even that out so the touring bands get their dues, and we can talk about how every dollar helps them go from struggling to actually living off their craft without having to work full time. 🌵