Migrated from rainynight65@feddit.de, which now appears to be dead. Sadly lost my comment history in the process. Let’s start fresh.

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Joined 3 months ago
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Cake day: June 24th, 2024

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  • Sure, training data selection impacts the output. If you feed an AI nothing but anime, the images it produces will look like anime. If all it knows is K-pop, then the music it puts out will sound like K-pop. Tweaking a computational process through selective input is not the same as a human being actively absorbing stimuli and forming their own, unique response.

    AI doesn’t have an innate taste or feeling for what it likes. It won’t walk into a second hand CD store, browse the boxes, find something that’s intriguing and check it out. It won’t go for a walk and think “I want to take a photo of that tree there in the open field”. It won’t see or hear a piece of art and think “I’d like to be learn how to paint/write/play an instrument like that”. And it will never make art for the sake of making art, for the pure enjoyment that is the process of creating something, irrespective of who wants to see or hear the result. All it is designed to do is regurgitate an intersection of what it knows that best suits the parameters of a given request (aka prompt). Actively learning, experimenting, practicing techniques, trying to emulate specific techniques of someone else - making art for the sake of making art - is a key component to humans learning from others and being influenced by others.

    So the process of human learning and influencing, and the selective feeding of data to an AI to ‘tune’ its output are entirely different things that cannot and should not be compared.


  • Generative AI is not ‘influenced’ by other people’s work the way humans are. A human musician might spend years covering songs they like and copying or emulating the style, until they find their own style, which may or may not be a blend of their influences, but crucially, they will usually add something. AI does not do that. The idea that AI functions the same as human artists, by absorbing influences and producing their own result, is not only fundamentally false, it is dangerously misleading. To portray it as ‘not unethical’ is even more misleading.



  • More recently, probably a wireless handheld controller for my model railway.

    Model railway is a hobby for people with lots of time, space, and money. I generally fall short on two of those, although lately there is a bit more disposable income to go around. Last year I was able to splurge on the control setup that I always wanted, which is a stationary controller - basically you sit at a table and control the trains with two rotary controllers and a touchscreen for a number of other things. Looks a bit like this.

    But since it’s stationary and my layout is fairly big, sometimes it can be a bit cumbersome to test something that’s five metres away. So I decided to also splurge on the matching wireless handheld controller, an Android-based device with another rotary controller and the ability to control almost all aspects of the stationary device.

    Did I need it? Hell no. If I had waited a few more months, a perfectly suitable free smartphone app would have been available that I could have used for the purposes intended. But am I loving it? Fuck yes. Irresponsible to boot, but no regrets, not for one second.





  • Dream Theater “Awake” (1994). Extraordinary from the first to the last note. 75 minutes of phenomenal prog metal. They’ve made good and great albums before and after, but they never excelled the pure class and artistry displayed on this album.

    Bruce Dickinson “The Chemical Wedding”. I never liked Iron Maiden much, but Dickinson’s solo stuff is a different class. Fresh, creative, varied, energetic. Most of his solo albums are well worth the listen, but “Chemical Wedding” stands out for its high variety and creativity.


  • These people never walk back their bullshit. When called out on it, they will double down. When proven wrong, they will change the topic. But they need to be seen as strong, and right. Admitting that you’re wrong or even apologising is neither - it’s weak, and it can create doubt. If they were wrong about this, then what else are they wrong about?

    They radicalise their followers with lies and falsehoods, and they can only keep that up if they are not seen as being wrong about what they say. They spread their lies with confidence and zeal, and if reality disagrees, then reality is wrong.








  • But do you have to?

    For me, knowing that the artist is a terrible person ruins the art for me, or at least compromises it to the point where I don’t feel comfortable in my skin continuing to peruse it. And that even if I wouldn’t be buying anything new or otherwise be giving the artist money.

    Take as an example Jon Schaffer, head of metal bad Iced Earth, which I liked quite a bit in the past. Later it became clear that he is at least problematic, and once he was identified as having participated in the January 6 riots, that was the end of it. I still own older Iced Earth CDs, but I can’t listen to them any more.

    Or Joss Whedon, whose work I used to love, and I own a lot of DVDs of his stuff. But watching it now knowing what he’s done particularly to many women he worked with just seriously hinders my enjoyment of what I once really liked.



  • Books:

    Wool/Shift/Dust by Hugh Howey. A well written, immersive post apocalyptic fiction that has a satisfying conclusion.

    The Passage/The Twelve/The City of Mirrors by Justin Cronin. Pretty much the same as above.

    The Century Trilogy by Ken Follett. A huge read that spans almost a century (from just prior WW1 to the late 20th century), accompanying the same families from several different countries and embedding them into significant world events of the 20th century. Really well written and enjoyable.