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Cake day: July 9th, 2023

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  • Blackgate.com - the remnants of Black Gate magazine, which was published from 2000-2011 and then continued in digital form since. It focuses primarily on vintage literary fantasy, though occasionally the an article will be published in films or new fiction. Of particular note to nerds is the Cinema of Swords column by Lawrence Ellsworth, who fantasy fans may be familiar with as the Principal Narrative Designer for Baldur’s Gate 3. I’m not so immersed in the fantasy world that I understand most of what is discussed on the blog, but it is a nice taste of the old Internet, one which might resonate with other fediverse users.





  • Is this mean t as a replacement for, or in addition to the Adaptive Controller kits that were in the news a few years back? This seems like a logical end point for that program (i.e. I remember the adaptive controller looking relatively unpolished in comparison to this product). Another commenter pointed out that the actual cost of the adaptive controller is greater than the sticker price would indicate since you need to add peripherals to the base $99 controller to achieve functionality, but hopefully it’s still a feasible option for folks that maybe can’t quite swing a $300 purchase.





  • For sure. My impression is that to focus on character work in the same way as BG3 (i.e. voice acting, mocap, cinematics, etc) would have been an impossibility for the studio that made Solasta. I would guess they did not have the financial support to make that happen.

    Personally, I think of it as being of a piece with the old Infinity Engine games. There was the Baldurs Gate series, which, in classic CRPG fashion, was all about player choice and character. But, side by side with those games, you had the Icewind Dale series, which was almost completely devoid of the story focus of the BG games and entirely focused on dungeon crawling and seeing how far the ruleset can be pushed.


  • Allow me to introduce you to Solasta: Crown of the Magister. It was the OTHER CRPG releases based on the DnD 5e system. Much smaller budget and team, but a pretty faithful recreation.

    Including the fact that the game opens in a tavern with your party throwing back beer one of them might refer to as a donkey piss (depending on which personality archetype you selected for them) while they wait for their quest sponsor to show up and tell them what’s going on. In the meantime, each character introduces themselves to the others by discussing the adventure they had on the way to the present location (as an excuse to run through some tutorials). Doesn’t get much more classic DnD start than that.


  • Grim Dawn is the most fun I’ve had with an ARPG in years. The class system is very interesting and, as far as I know, unique to this game. Rather than just being a barbarian or necromancer or whatever other typical ARPG class you can think of, your class is determined by selecting any 2 archetypes. For instance, maybe you like being a pet class like necromancer, but you want to have a slightly more active play style than just watching your skellingtons paint the map red. So, you mix in the Nightblade (melee rogue) class at level 10. Your new, combined class is called a Reaper, and you have access to both skill trees, free to mix and match as you wish. Very interesting playstyles can emerge from creative pairings.

    I am a casual player so I can’t offer any perspective on the endgame or anything like that, but if you’re looking for something to scratch the Diablo 2 itch with a fun twist on classes,you cant go wrong with Grim Dawn.


  • So, with the ongoing enshittification of gestures broadly at everything I finally bit the bullet to purchase a 4k bluray player. I intend on resuming my collection of physical media. In service of that, and also because I wanted to put my new toy through its paces, I went to Criterions website and selected all the titles that I might like to have some day. Nearly $5000 of cart additions later, I realized that perhaps my eyes are a touch bigger than my pocketbook. However, I just want to take a moment to be thankful that Criterion exists and has 5 grand worth of movies that I would happily own if money were no object. Their efforts in the service of film are incredible and the model that so many new, boutique publishing brands have modeled themselves off of. Now, to secure my financial independence so I can afford all the movies I want…



  • Fwiw, this is not a case of China stepping in and censoring anything about the awards. Rather, it’s a case of the Hugo administration in the West self-censoring their nominees because they feared China might step in if they didn’t get ahead of the curve.

    Of course, that doesn’t really change the situation, but we shouldnt get the story twisted here. The blame falls on the administrators who were so afraid of a threat that they imagined that they caved to non-existent demands, rather than the Chinese (at least for direct fault, since you could argue the Chinese government’s policies indirectly led to this situation and I wouldn’t fight you on that).