• Mickey@lemmy.ca
    link
    fedilink
    English
    arrow-up
    87
    ·
    10 months ago

    Yeah I definitely felt that all the stuff I actually wanted to see were rushed and replaced instead with a ton of ads and generic looking game trailers. There were only a few trailers that were actually notable and for a 2h show that was super disappointing. The speeches getting rushed and a lot of them not even having time to go up was also very disrespectful to the devs. Just overall not great.

    • kelvie@lemmy.ca
      link
      fedilink
      English
      arrow-up
      5
      arrow-down
      7
      ·
      10 months ago

      Curiously, what did you want to see?

      A lot of us just treat this like the Superbowl and watch it just for the ads.

      • Why9@lemmy.world
        link
        fedilink
        English
        arrow-up
        19
        arrow-down
        1
        ·
        10 months ago

        A lot of us just treat this like the Superbowl and watch it just for the ads.

        That is crazy to admit. Here we have people trying to do their best to remove ads from their lives; using PiHoles, AdBlockers and VPNs to get rid of as many ads as possible, but they would sit down and willingly watch ads instead of watching world-class athletes battle for supremacy on their grandest stage.

        The closest thing we have in Europe is the Football World Cup. I reckon due to the nature of the sport, they play for 45mins each half and fitting in ads during play would be met with fierce backlash and boycotting. It’s insane to me that you’d look forward to ads instead!

        • kelvie@lemmy.ca
          link
          fedilink
          English
          arrow-up
          4
          arrow-down
          3
          ·
          10 months ago

          Isn’t that the difference here? Here we are choosing to watch ads – more specifically I want to learn about new games coming out, versus ads that I don’t, such as on most websites, YouTube, my TV, billboards, apps, etc.

          • Why9@lemmy.world
            link
            fedilink
            English
            arrow-up
            2
            ·
            edit-2
            10 months ago

            It’s an important distinction but a valid one

            Yes, the key difference is that you’re choosing to watch ads of the genre that the show is based on, but it felt like this year we were rolling RNG for 4 hours and the best we got was monster Hunter Wilds, Light no Fire, Hellblade 2 and checks notes FOUR Fortnite ads?

            Many people felt bad that there was no Elden Ring DLC, no Titanfall, no Nintendo surprise even? Rockstar could have saved their trailer for TGA, but chose to have it on their own day. Absent were the plethora of AAA titles releasing 2024-2025. It felt like we rolled RNG for ads at actually want to see, and came away slightly disappointed?

      • Mickey@lemmy.ca
        link
        fedilink
        English
        arrow-up
        4
        ·
        10 months ago

        The actual awards where they celebrate the games they are supposedly meant to celebrate. Some respect for the devs who poured all their time into making them instead of being rushed off the stage. And finally it would be nice for them to actually acknowledge the industries struggles this year and put a light on the fact that the gaming culture is kinda rotten and this is meant to counteract it, instead it seems to fall into the same hole.

  • Neato@kbin.social
    link
    fedilink
    arrow-up
    50
    ·
    10 months ago

    The awards are an excuse to show ads. Ads for upcoming games, released big games, etc.

    • AwkwardLookMonkeyPuppet@lemmy.world
      link
      fedilink
      English
      arrow-up
      9
      ·
      10 months ago

      What a wasted opportunity. The Academy Awards don’t resort to advertising upcoming movies the whole time, they take a pause to appreciate what they’ve made. The game of the year awards should do the same.

      • okamiueru@lemmy.world
        link
        fedilink
        English
        arrow-up
        3
        ·
        10 months ago

        It doesn’t take many minutes for compilation videos to show up on YouTube that only contain trailers for news games, etc.

        • felykiosa@sh.itjust.works
          link
          fedilink
          English
          arrow-up
          1
          ·
          10 months ago

          Yup but its an other experience to see it in live , also I watched a streamer reacting to the live ,so the sarcastic react made the experience much better. But yeah I could have save 4h of my night by just watch trailers after the show.

  • Hal-5700X@lemmy.world
    link
    fedilink
    English
    arrow-up
    45
    arrow-down
    1
    ·
    10 months ago

    🤦‍♂️ It’s always been an ad show with some awards. So what made this year so special?

    • Altima NEO@lemmy.zip
      link
      fedilink
      English
      arrow-up
      16
      arrow-down
      3
      ·
      edit-2
      10 months ago

      Yeah I don’t get the hubbub from all these sites? What are they expecting? Social justice and equality?

      The whole thing is a marketing event with the awards there purely to hype people up over the most popular games. It’s completely the wrong platform for what I keep reading all these people ask for, considering it’s being funded by the games publishers themselves. If that was the case, they wouldn’t bother paying to advertise their games.

  • Katana314@lemmy.world
    link
    fedilink
    English
    arrow-up
    38
    ·
    10 months ago

    The article seems to highlight that the money behind such a big event mainly goes to the hype for games yet unreleased, rather than focusing on praise and even advertising for really high-quality games that are already out.

    Sometime I’d like it if video game marketing changed this way - it’s much easier to market a game that already has tons of great reviews, and they’ve kind of generated many gamers that are unsure about any marketing they hear. The streamer I watched the awards with ended up finding out about a previously-released game by a developer he’d really enjoyed, thanks to the show.

    • Potatos_are_not_friends@lemmy.world
      link
      fedilink
      English
      arrow-up
      3
      ·
      10 months ago

      These shows are mostly ads. I remember when Candy Crush was popular, and how they were mostly sweeping the awards while also promoting their next thing.

      Also pretty sure they bought a LOT of ads too.

  • Trail@lemmy.world
    link
    fedilink
    English
    arrow-up
    35
    arrow-down
    3
    ·
    10 months ago

    Only reason I cared about it was the one in a gazillion chance to get a free steam deck.

  • fsxylo@sh.itjust.works
    link
    fedilink
    English
    arrow-up
    17
    arrow-down
    3
    ·
    10 months ago

    I’m learning that people actually care about the rewards and not just scrolling through the announcements list after the show is over.

    • Why9@lemmy.world
      link
      fedilink
      English
      arrow-up
      12
      arrow-down
      2
      ·
      10 months ago

      I guess it depends on who you are, and if that’s why you’re watching.

      CDPR has a disastrous launch but came through for their fans by committing to delivering a solid game that won them the “Best Ongoing Game” award, again, putting them in their fans’ good graces again for the mistakes they made.

      Neil Newbon, the voice actor for Astarion in BG3, spoke in the past about how his face wasn’t a Hollywood face. Despite countless auditions, he was always turned down because of the way he looked. His voice acting and motion capture performance (i.e. actual acting!) in BG3 won him the “Best Performance” award, vindicating him from all those people who said he’s not good enough.

      Neil is just one of the many stories of what it takes for individuals and studios to get recognised. This was the peak of his career, to finally be seen for what he can do, and not for what he looks like (I’ve no idea what anyone is complaining about with regards to his appearance!).

      They should have given him more than 15 seconds.

      • P03 Locke@lemmy.dbzer0.com
        link
        fedilink
        English
        arrow-up
        3
        ·
        edit-2
        10 months ago

        Neil Newbon, the voice actor for Astarion in BG3, spoke in the past about how his face wasn’t a Hollywood face.

        This is Hollywood demanding standards so strict and unusual that it borders on bigotry. His face looks fine, and a helluva lot more chiseled than mine.

        It’s like when nobody considered casting an actor with dwarfism in a normal role, and then Peter Dinklage started appearing everywhere. But, Hollywood kinda forgot what that meant and didn’t bother to repeat that with other actors with dwarfism.

        This is why people still accuse Hollywood of racism and sexism. (Because it’s still true…)

        • Why9@lemmy.world
          link
          fedilink
          English
          arrow-up
          3
          ·
          10 months ago

          Exactly!

          Neil is straight up attractive. I don’t understand the disregard for his talents but I’m guessing something else happened that put him on the blacklist?

          He has insane talents and I totally agree. Hollywood is vile to the core and it’s no secret, with names big and small, old and young, veteran and rookie all content to say it as it is. It’s sad that Neil was one of the unlucky ones. What’s sadder is all the Neils who couldn’t find a break like BG3 to revive them.

          Such a good point about Peter Dinklage too! It was his star power that producers banked on. I’m sure they would never have cast him if he didn’t stand out in GoT.

  • garretble@lemmy.world
    link
    fedilink
    English
    arrow-up
    11
    ·
    10 months ago

    You’d think the tentpole genres would at least get a little more airtime.

    They ran through the awards for Action Adventure, RPG, etc.

  • Carighan Maconar@lemmy.world
    link
    fedilink
    English
    arrow-up
    10
    arrow-down
    1
    ·
    10 months ago

    You could cut the “2023” from that, and it’d be no less true.

    I mean sure, this year’s ad-centric nature was particularly obvious, but come the fuck on, journalists/readers/whatever: Did you ever have any doubt, seriously, ANY doubt, that this is 100% ad-space? And if yes, how?! What part of this did you watch in what year that wasn’t just ad-space for publishers?

  • jownz@lemmy.world
    link
    fedilink
    English
    arrow-up
    10
    arrow-down
    2
    ·
    10 months ago

    I thought it was great? I really enjoyed it. Flute Guy killed it again!

  • EternalWarBear@lemmy.world
    link
    fedilink
    English
    arrow-up
    8
    arrow-down
    1
    ·
    10 months ago

    I’m honestly glad I didn’t bother watching this year. Kinda just forgot about it as it started and went and saw Godzilla Minus One. After reading about its reception I think I’d made the better choice.

  • Hugging Stars@programming.dev
    link
    fedilink
    English
    arrow-up
    6
    arrow-down
    1
    ·
    10 months ago

    It a show whose goal is to generate revenue. That’s it. That’s the whole thing.

    If you want awards that are actually worthwhile by themselves, GDC and BAFTA are the better choices.