You must log in or # to comment.
Oh my brother in Lemmy, I have all the time in the world.
Hah. I feel that some days.
Tokyo Story from 1953 and Ozu’s most well-regarded work. If you’ve never noticed how a director frames a shot in a movie before, this one will make you aware of how well it can be done.
Actually this is Akira Kurosawa’s Ikiru from 1952, an equally great film (and that’s saying a lot)
Source: I downloaded the subtitles, this scene is around the 2 hour 6 minute mark
Oh snap. You’re right!
Based
